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Bridge FB 11 office chair, 1946

Bridge FB 11 office chair, 1946. Provenance: Labourier plant, Mouchard, Jura.

Bridge FB 11 office chair, 1946. Provenance: Labourier plant, Mouchard, Jura. © Galerie Patrick Seguin.

Bridge FB 11 office chair, 1946. Provenance: Labourier plant, Mouchard, Jura.

Bridge FB 11 office chair, 1946. Provenance: Labourier plant, Mouchard, Jura. © Galerie Patrick Seguin.

Bridge FB 11 office chair. Special model with structure in chromed sheet steel, cushions in leather, 1946. View from the exhibition organized in 1998 by the Galerie Jousse Seguin and JGM Galerie at the Maison de Verre, Paris (architects P. Chareau et B. Bijvoet, 1928–1931).

Bridge FB 11 office chair. Special model with structure in chromed sheet steel, cushions in leather, 1946. View from the exhibition organized in 1998 by the Galerie Jousse Seguin and JGM Galerie at the Maison de Verre, Paris (architects P. Chareau et B. Bijvoet, 1928–1931). © Galerie Patrick Seguin.

Présidence desk, Métropole no. 305 chair, and Direction no. 352 office chair, ca. 1951.

Présidence desk, Métropole no. 305 chair, and Direction no. 352 office chair, ca. 1951. © Fonds Jean Prouvé. Centre Pompidou – MNAM/CCI-Bibliothèque Kandinsky-Dist. RMN-Grand Palais.

Ferembal factory offices, Nancy, (architect H. Prouvé, 1949). The Director’s office furnished with a Bridge FB 11 office chair, with a Présidence desk, and a FP 11 swiveling office chair.

Ferembal factory offices, Nancy, (architect H. Prouvé, 1949). The Director’s office furnished with a Bridge FB 11 office chair, with a Présidence desk, and a FP 11 swiveling office chair. © Fonds Jean Prouvé. Centre Pompidou – MNAM/CCI-Bibliothèque Kandinsky-Dist. RMN-Grand Palais.

Direction no. 352 office chair, 1951.

Direction no. 352 office chair, 1951. © Galerie Patrick Seguin.

Direction no. 352 office chair, 1951.

Direction no. 352 office chair, 1951. © Galerie Patrick Seguin.

Bridge FB 11 office chair, 1946.

Bridge FB 11 office chair, 1946. © Galerie Patrick Seguin.

Advertising catalog <i>Les Meubles des Ateliers Jean Prouvé,</i> Paris, 1951.

Advertising catalog Les Meubles des Ateliers Jean Prouvé, Paris, 1951. © Collection privée.

Bridge FB 11 office chair. Special model with structure in chromed sheet steel, cushions in leather, 1946.

Bridge FB 11 office chair. Special model with structure in chromed sheet steel, cushions in leather, 1946. © Galerie Patrick Seguin.

Bridge FB 11 office chair, 1946

A new model of office chair appeared in 1939, one more comfortable than that designed for the CPDE.1 The basic principle was taken up again after the War and used for a special office furniture order:2 sloping, tapered back legs to which were welded the tubes of the seat frame and of the front legs, the latter being extended to support the solid oak armrests and the back. This first version, with its chrome base and sprung leather upholstery had a low back set vertically on the seat and a rear bar attached to the top of the base. Designed in 1946, the Bridge FB 11 office chair began volume production in 1947, after undergoing a number of modifications. The rear base was extended, the back was raised and its support bar curved. The chair was intended for offices, but also for classrooms, which earned it the sobriquet of “teacher’s chair”. The variants used different thicknesses of padding, upholstered with fabric, leather or imitation leather, and the painting of the metal components: first enamel, then oven lacquering. In 1950, 120 examples were made. In the same year, following a request for greater comfort from Steph Simon, modifications were made to the “ex- Bridge” fixed office chair.3 Straightening the rear leg unit by several centimeters meant the user could tilt the chair back and, most importantly, made the position of the back more comfortable. The new Direction office chair was marketed early in 1952 as
no. 352. Volume production continued until the late 1950s. It was distributed—then made—by Steph Simon. One or more prototypes with a fully aluminum frame were made in 1953.

1. Relaxation chair for the French pavilion at the Universal Exhibition, New York, 1939.
2. Furniture for the publisher Editions Braun, Mulhouse, 1946–1947.
3. “General observations on the furniture”, Steph Simon memorandum, 28 August 1951.