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Support-channel furniture, 1941

Wall fixture, ca. 1942. Provenance: Berger-Levrault printing works, Nancy.

Wall fixture, ca. 1942. Provenance: Berger-Levrault printing works, Nancy. © Galerie Patrick Seguin.

Wall fixture, ca. 1942. Provenance: Berger-Levrault printing works, Nancy.

Wall fixture, ca. 1942. Provenance: Berger-Levrault printing works, Nancy. © Galerie Patrick Seguin.

Staff center at the Berger-Levrault printing works company, Nancy, ca. 1942. Tout Bois chairs and wall fixture with support-channels.

Staff center at the Berger-Levrault printing works company, Nancy, ca. 1942. Tout Bois chairs and wall fixture with support-channels. © Fonds Jean Prouvé. Centre Pompidou – MNAM/CCI-Bibliothèque Kandinsky-Dist. RMN-Grand Palais.

Wall fixture. Support-channel and bracket system equipped with a standard cabinet, a small cabinet and a shelf. Exhibition model, ca. 1947.

Wall fixture. Support-channel and bracket system equipped with a standard cabinet, a small cabinet and a shelf. Exhibition model, ca. 1947. © Fonds Jean Prouvé. Centre Pompidou – MNAM/CCI-Bibliothèque Kandinsky-Dist. RMN-Grand Palais.

Mr Labourier’s office. Ateliers Jean Prouvé overall view, preliminary sketch, January 1943.

Mr Labourier’s office. Ateliers Jean Prouvé overall view, preliminary sketch, January 1943. © Fonds des Ateliers Jean Prouvé, Archives départementales de Meurthe-et-Moselle.

Wall fixture. One-off model for Mr Labourier, 1943. Provenance: Labourier plant, Mouchard, Jura.

Wall fixture. One-off model for Mr Labourier, 1943. Provenance: Labourier plant, Mouchard, Jura. © Galerie Patrick Seguin.

Wall fixture, detail of the swiveling filing cabinet in the lower section. One-off model for Mr Labourier, 1943. Provenance: Labourier plant, Mouchard, Jura.

Wall fixture, detail of the swiveling filing cabinet in the lower section. One-off model for Mr Labourier, 1943. Provenance: Labourier plant, Mouchard, Jura. © Galerie Patrick Seguin.

Lift-up table with drawer. One-off model for Mr Labourier, 1943. Provenance: Labourier plant, Mouchard, Jura.

Lift-up table with drawer. One-off model for Mr Labourier, 1943. Provenance: Labourier plant, Mouchard, Jura. © Galerie Patrick Seguin.

Lift-up table with drawer. One-off model for Mr Labourier, 1943. Provenance: Labourier plant, Mouchard, Jura.

Lift-up table with drawer. One-off model for Mr Labourier, 1943. Provenance: Labourier plant, Mouchard, Jura. © Galerie Patrick Seguin.

System of support-channels and brackets on pistons for a double-sided “meuble équilibré” with shelves and bench. Sketch by Jean Prouvé for his classes at CNAM, Paris, 1957–1971.

System of support-channels and brackets on pistons for a double-sided “meuble équilibré” with shelves and bench. Sketch by Jean Prouvé for his classes at CNAM, Paris, 1957–1971. © Fonds Jean Prouvé. Centre Pompidou – MNAM/CCI-Bibliothèque Kandinsky-Dist. RMN-Grand Palais.

Shelves with support-channels and brackets, on pistons, 1945. Provenance: Cristallerie Daum, Nancy.

Shelves with support-channels and brackets, on pistons, 1945. Provenance: Cristallerie Daum, Nancy. © Galerie Patrick Seguin.

Sketch by Jean Prouvé for the magazine <i>Intérieur,</i> 1965.

Sketch by Jean Prouvé for the magazine Intérieur, 1965. © Centre Pompidou, donation famille Prouvé.

Shelves with support-channels and brackets, on pistons, ca. 1949. Provenance: Ferembal factory offices, Nancy.

Shelves with support-channels and brackets, on pistons, ca. 1949. Provenance: Ferembal factory offices, Nancy. © Galerie Patrick Seguin.

Shelves with support-channels and brackets, on pistons, balanced variant with double consoles, notched tablets, 1951. Provenance: Dollander Villa, Saint-Clair, Var.

Shelves with support-channels and brackets, on pistons, balanced variant with double consoles, notched tablets, 1951. Provenance: Dollander Villa, Saint-Clair, Var. © Galerie Patrick Seguin.

Shelves with support-channels and brackets, on pistons and Alexander Calder’s mobile  <i>Saché </i> in Jean Prouvé’s home in Nancy, undated.

Shelves with support-channels and brackets, on pistons and Alexander Calder’s mobile Saché in Jean Prouvé’s home in Nancy, undated. © Fonds Jean Prouvé. Centre Pompidou – MNAM/CCI-Bibliothèque Kandinsky-Dist. RMN-Grand Palais.

Shelves with support-channels and brackets, on pistons. Special model with 2 shelves and a writing surface/desk, 1951. Provenance: Dollander Villa, Saint-Clair, Var.

Shelves with support-channels and brackets, on pistons. Special model with 2 shelves and a writing surface/desk, 1951. Provenance: Dollander Villa, Saint-Clair, Var. © Galerie Patrick Seguin.

Shelves mounted on support-channels, 1951. Special model. Provenance: Dollander Villa, Saint-Clair, Var.

Shelves mounted on support-channels, 1951. Special model. Provenance: Dollander Villa, Saint-Clair, Var. © Galerie Patrick Seguin.

Pierre Bindschedler’s office, Ferembal plant, Nancy, 1949. “Meuble équilibré” serving as a divider.

Pierre Bindschedler’s office, Ferembal plant, Nancy, 1949. “Meuble équilibré” serving as a divider. © Fonds Jean Prouvé. Centre Pompidou – MNAM/CCI-Bibliothèque Kandinsky-Dist. RMN-Grand Palais.

“Wall fixture. Ferembal. Director’s office”. Ateliers Jean Prouvé, unnumbered drawing, October 1948.

“Wall fixture. Ferembal. Director’s office”. Ateliers Jean Prouvé, unnumbered drawing, October 1948. © Fonds des Ateliers Jean Prouvé, Archives départementales de Meurthe-et-Moselle.

Wall fixture mounted between metal posts and balanced with pistons, serving as a divider, 1949. Provenance: Ferembal factory offices, Nancy.

Wall fixture mounted between metal posts and balanced with pistons, serving as a divider, 1949. Provenance: Ferembal factory offices, Nancy. © Galerie Patrick Seguin.

Lobby of the Ferembal factory offices, Nancy (architect H. Prouvé, 1948), 1949.

Lobby of the Ferembal factory offices, Nancy (architect H. Prouvé, 1948), 1949. Lobby of the Ferembal factory offices, Nancy (architect H. Prouvé, 1948), 1949.

“Ferembal showcase”. Ateliers Jean Prouvé, unnumbered drawing, May 1949.

“Ferembal showcase”. Ateliers Jean Prouvé, unnumbered drawing, May 1949. © Fonds des Ateliers Jean Prouvé, Archives départementales de Meurthe-et-Moselle.

Large showcase mounted between metal posts, 1949. Provenance: Ferembal factory offices, Nancy.

Large showcase mounted between metal posts, 1949. Provenance: Ferembal factory offices, Nancy. © Galerie Patrick Seguin.

Special display window, 1949. Provenance: Ferembal factory offices, Nancy. Edition of 2.

Special display window, 1949. Provenance: Ferembal factory offices, Nancy. Edition of 2. © Galerie Patrick Seguin.

Special display window, 1949. Provenance: Ferembal factory offices, Nancy. Edition of 2.

Special display window, 1949. Provenance: Ferembal factory offices, Nancy. Edition of 2. © Galerie Patrick Seguin.

Support-channel partition/screen with Charlotte Perriand, 1952. Provenance: Air France building, Brazzaville.

Support-channel partition/screen with Charlotte Perriand, 1952. Provenance: Air France building, Brazzaville. © Galerie Patrick Seguin.

Support-channel furniture, 1941

Originally designed as shelving units, the wall system developed in 1941 for hanging metal and wood storage units quickly underwent changes enabling its use in offices and collective and domestic spaces. These shelf-channel items were attached to walls or held between floor and ceiling by spring actuators similar to those used on the movable partitions patented in the 1930s. The system used spot welded bent pressed steel posts as shelf channels, with slotted-in bent steel brackets for holding shelves and suspended cabinets of different sizes. The cabinets had sliding doors of wood, glass, Plexiglas, stainless steel or aluminum, with wooden handles that also functioned as stiffeners. Several different combinations were possible: with baskets, drawers and revolving files, and even with large brackets able to support banquettes or worktables. These items were particularly well suited to workspaces, but also fit well into the domestic environment because they allowed for variations in materials and flexibility of use: the frame was movable, the fittings were interchangeable and the combinations could be modified. At the time these features were sufficiently novel to be high-lighted in the specialist press. In 1946, the principle of hanging storage units made in small quantities was adapted for space distribution inside mass-produced housing—the Métropole houses of the future—so that the latter could be delivered with internal divisions that could be used, moved and modified according to need.1 These balanced furnishings, which could be installed instantly, with no embedding or screwing, combined the single or double bracket shelf channel with mass produced or specially made metal and wood components— basically worktops and cabinets. Examples of the latter were the vitrines for the French stand at the 9th Milan Triennial in 1951 (architect Henri Prouvé) and, in the same year, the screen partitions with shelving for the Air France Congo building in Brazzaville (interior designer Charlotte Perriand). Many variations on the hanging, balanced furnishings appeared until 1954, when they were replaced by the “blocks” bookshelves.

1. “No partitions, just large pieces of furniture made of metal and wood, like our cabinets, and going from floor to ceiling.” Jean Prouvé had come up with a similar system in 1946: “Metal niches, with the top and bottom made of wood and the whole thing held together with tie rods.” (letter and sketch by Jean Prouvé to Henri Prouvé, June 1946, archives of the Henri Prouvé agency, ADMM.)