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Guéridon bas, 1942

Guéridon GB 11, 1947.

Guéridon GB 11, 1947. © Galerie Patrick Seguin.

Guéridon GB 11. View in the workshop, ca. 1947.

Guéridon GB 11. View in the workshop, ca. 1947. © Fonds Jean Prouvé. Centre Pompidou – MNAM/CCI-Bibliothèque Kandinsky-Dist. RMN-Grand Palais.

“Base for demountable table”. Sketch by Jean Prouvé for the magazine <i>Intérieur,</i> 1965.

“Base for demountable table”. Sketch by Jean Prouvé for the magazine Intérieur, 1965. © Centre Pompidou, donation famille Prouvé.

Claude and Duval factory, Saint-Dié, (architect Le Corbusier, 1948–1951). Waiting room furnished with Tout Bois chairs and a guéridon no. 402. Published in <i>Domus,</i> April 1953.

Claude and Duval factory, Saint-Dié, (architect Le Corbusier, 1948–1951). Waiting room furnished with Tout Bois chairs and a guéridon no. 402. Published in Domus, April 1953. © Collection privée.

Lobby of the Berger-Levrault printing works, Nancy, equipped with Visiteur armchairs and guéridons bas, ca. 1942.

Lobby of the Berger-Levrault printing works, Nancy, equipped with Visiteur armchairs and guéridons bas, ca. 1942. © Collection privée.

Bases for a stool and Guéridons bas. Sketch by Jean Prouvé for his classes at CNAM, Paris, 1957–1971.

Bases for a stool and Guéridons bas. Sketch by Jean Prouvé for his classes at CNAM, Paris, 1957–1971. © Fonds Jean Prouvé. Centre Pompidou – MNAM/CCI-Bibliothèque Kandinsky-Dist. RMN-Grand Palais.

Guéridon Bas GB 21, variant with top covered with Comblanche limestone, ca. 1947.

Guéridon Bas GB 21, variant with top covered with Comblanche limestone, ca. 1947. © Galerie Patrick Seguin.

Guéridon Bas GB 21, variant with top covered with Comblanche limestone, ca. 1947.

Guéridon Bas GB 21, variant with top covered with Comblanche limestone, ca. 1947. © Galerie Patrick Seguin.

House in Saint-Dié (J. Prouvé, with architects E. Remondino and H. Baumann, 1961). Living room corner furnished with a Visiteur armchair and a guéridon no. 402.

House in Saint-Dié (J. Prouvé, with architects E. Remondino and H. Baumann, 1961). Living room corner furnished with a Visiteur armchair and a guéridon no. 402. © Fonds Jean Prouvé. Centre Pompidou – MNAM/CCI-Bibliothèque Kandinsky-Dist. RMN-Grand Palais.

Guéridon no. 400, variant with top covered with rubber and aluminum rim, ca. 1952.

Guéridon no. 400, variant with top covered with rubber and aluminum rim, ca. 1952. © Galerie Patrick Seguin.

Apartment equipped with a Visiteur armchair and an African wood Guéridon bas (adaptation by Charlotte Perriand), 1952. Air France building, Brazzaville (Architects Hébrard, Lefebvre, Letu and Bienvenu, 1952).

Apartment equipped with a Visiteur armchair and an African wood Guéridon bas (adaptation by Charlotte Perriand), 1952. Air France building, Brazzaville (Architects Hébrard, Lefebvre, Letu and Bienvenu, 1952). © Archives Famille Franquet.

Guéridon bas. Adapted by Charlotte Perriand for the Air France building, Brazzaville, 1952. Solid African wood (kambala).

Guéridon bas. Adapted by Charlotte Perriand for the Air France building, Brazzaville, 1952. Solid African wood (kambala). © Galerie Patrick Seguin.

Guéridon bas. Adapted by Charlotte Perriand for the Air France building, Brazzaville, 1952. Solid African wood (kambala).

Guéridon bas. Adapted by Charlotte Perriand for the Air France building, Brazzaville, 1952. Solid African wood (kambala). © Galerie Patrick Seguin.

Guéridon bas, 1942

Although they later showed slight differences in size and detailing, the few examples of the guéridon bas marketed during the War already possessed all the characteristics of the model that went perfectly with the Visiteur armchair. Like the other items of furniture designed at the same period, it kept metal to a minimum, limiting it to a triangular bent steel armature. The armature’s three sections grip three slotted and notched solid wood legs, being held in place by threaded rods and blind nuts. The idea of this frame was that “the top should not influence the construction of the piece and could be in wood, marble or glass.”1 Clearly identified in the catalogs as a demountable item, the guéridon bas was initially offered in two heights (35 and 45 cm) and two top diameters (80 and 95 cm). In 1949, however, a single height of 35 cm was assigned to tops (Ø 80–120 cm) of Comblanchien limestone, glass or plated with oak.2 The small model was the most successful: 90 examples were made in 1951 as opposed to 30 with the large top (Ø 95 cm). In 1952, the new names—no. 402 and no. 403—referred to tops 80 or 95 cm in diameter, on a base 30 cm high. There were no major modifications apart from the mounts, and the table was made until 1954.

1. In Le Décor d’aujourd’hui, no. 37, 1946, p. 25.
2. A version entirely of African wood was made for the Air France building in Brazzaville, fitted out by Charlotte Perriand in 1952.