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S.A.M. wood table, 1941

S.A.M. table, no. 502, 1951.

S.A.M. table, no. 502, 1951. © Galerie Patrick Seguin.

S.A.M. table, no. 502, 1951.

S.A.M. table, no. 502, 1951. © Galerie Patrick Seguin.

S.A.M. table. Principle of fixation of the crossmember to the legs with round metal disks. Sketch by Jean Prouvé for his classes at CNAM, Paris, 1957–1971.

S.A.M. table. Principle of fixation of the crossmember to the legs with round metal disks. Sketch by Jean Prouvé for his classes at CNAM, Paris, 1957–1971. © Centre Pompidou, donation famille Prouvé.

Advertisement from the Ateliers Jean Prouvé, in <i>L’Architecture d’aujourd’hui,</i> no. 2, July-August 1945.

Advertisement from the Ateliers Jean Prouvé, in L’Architecture d’aujourd’hui, no. 2, July-August 1945. © Collection privée.

S.A.M. no. 502 table, 1951. Assemblage in Jean Prouvé’s office in Maxéville, ca. 1951.

S.A.M. no. 502 table, 1951. Assemblage in Jean Prouvé’s office in Maxéville, ca. 1951. © Fonds Jean Prouvé. Centre Pompidou – MNAM/CCI-Bibliothèque Kandinsky-Dist. RMN-Grand Palais.

S.A.M. no. 502 table, 1951. Assemblage in Jean Prouvé’s office in Maxéville, ca. 1951.

S.A.M. no. 502 table, 1951. Assemblage in Jean Prouvé’s office in Maxéville, ca. 1951. © Fonds Jean Prouvé. Centre Pompidou – MNAM/CCI-Bibliothèque Kandinsky-Dist. RMN-Grand Palais.

Presentation of the base of an S.A.M. table, in the staff center of the Berger-Levrault printing works, Nancy, ca. 1942.

Presentation of the base of an S.A.M. table, in the staff center of the Berger-Levrault printing works, Nancy, ca. 1942. © Fonds Jean Prouvé. Centre Pompidou – MNAM/CCI-Bibliothèque Kandinsky-Dist. RMN-Grand Palais.

S.A.M. no. 502 table. Ateliers Jean Prouvé assembly intructions, ca. 1951.

S.A.M. no. 502 table. Ateliers Jean Prouvé assembly intructions, ca. 1951. © Fonds Jean Prouvé. Centre Pompidou – MNAM/CCI-Bibliothèque Kandinsky-Dist. RMN-Grand Palais.

S.A.M. table, 1941. Prototype with wood legs and metal crossmember fixed with stirrups. View in the workshop, ca. 1945.

S.A.M. table, 1941. Prototype with wood legs and metal crossmember fixed with stirrups. View in the workshop, ca. 1945. © Fonds Jean Prouvé. Centre Pompidou – MNAM/CCI-Bibliothèque Kandinsky-Dist. RMN-Grand Palais.

S.A.M. table. Piece from the emergency furniture collection, 1945.

S.A.M. table. Piece from the emergency furniture collection, 1945. © Fonds Jean Prouvé. Centre Pompidou – MNAM/CCI-Bibliothèque Kandinsky-Dist. RMN-Grand Palais.

Kitchen of a model apartment furnished with a S.A.M. no. 502 table and with Cafétéria no. 300 chairs, presented by the Ministère de la Reconstruction, ca. 1951.

Kitchen of a model apartment furnished with a S.A.M. no. 502 table and with Cafétéria no. 300 chairs, presented by the Ministère de la Reconstruction, ca. 1951. © Fonds Jean Prouvé. Centre Pompidou – MNAM/CCI-Bibliothèque Kandinsky-Dist. RMN-Grand Palais.

TS 11 table, 1947. Detail showing the fixation of the crossmember to the legs with metal stirrups.

TS 11 table, 1947. Detail showing the fixation of the crossmember to the legs with metal stirrups. © Galerie Patrick Seguin.

S.A.M. no. 502 table, variant with double crossmember, 1951. Detail showing the fixation of the tubes of the crossmember to the legs with round metal disks.

S.A.M. no. 502 table, variant with double crossmember, 1951. Detail showing the fixation of the tubes of the crossmember to the legs with round metal disks.

S.A.M. wood table, 1941

The work begun on a new dining table in 1939 was taken up again during the War as part of plans for staff facilities at the Solvay plant in Dombasle. The metal base principle already developed—flanged, tapering legs connected by a welded, double-Y tubular brace—was retained and adapted to new requirements: saving metal and a demountable system. The solid wood legs with their marked camber were mounted on the brace with metal stirrups and fixed directly to the top with brackets. At the end of the War this S.A.M. table was made in small sets for the domestic market. The TS 11 table, later named TS 12, was given a “Meubles de France” award in 1947, along with all the dining room furniture then being offered by the Ateliers Jean Prouvé. It was modified with a view to improving the mountings and making assembly easier: the bolted stirrups disappeared, with the tubing of the brace fitting into the legs. A slot was sawn into the legs to provide greater flexibility during assembly and clamping was effected using blind nuts, threaded rod and large, visible washers. The metal brackets on the legs were mounted on an iron insert screwed into the underside of the tabletop. Another version dating from 1947 and made in small batches included a brace made of two curved, parallel tubes welded together. The tube was mounted on the legs with screws and washers; the same system was used for the metal tenon welded to the brace for the assembly of the base and top. As with the other mass-produced wooden items of furniture, the solid oak of the legs and top was gradually replaced with plated oak or, in exceptional cases, an entirely different type of wood. The table was delivered in kit form—top, legs, frame, screws and bolts—with an assembly diagram. After various changes to details—notably the mounting of the brace on the legs with machined tube—the wooden table went into production in 1951 as no. 502, at the same time as the metal-base version.